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CAMERA FEMINA
ORGANISATIONAL DOSSIER
DEMAKIJAŻ
QUEERZ GET LOUD
TRANSPOSITION
/ORGANISATIONAL_DOSSIER
ARCHIVED
// RECORD #camera-femina // 2019–2024

Camera Femina Foundation

[ PRESIDENT / CURATOR / PRODUCER ]|FORMALLY ARCHIVED

A long-term curatorial and organisational practice focused on building production frameworks for feminist, queer, and trans artistic work beyond dominant institutional models.

// archive summaryDOSSIER #01
StatusARCHIVED
Period2019–2024
RolePRESIDENT 2022–2024
BaseLUBLIN, PL
ARCHIVE_REGISTER6 PROGRAMMES
// overview2019–2024

institutional overview

// 01

Camera Femina was an independent feminist–queer cultural foundation established in Lublin in 2019, dedicated to strengthening the participation and visibility of women, queer, and trans creators in the arts, culture, and public life. Operating at the intersection of artistic production, critical education, and grassroots organising, the organisation developed autonomous spaces beyond dominant institutional models.

// 02

Accessibility was built into the foundation’s operational core from its inception, implementing Polish Sign Language (PJM) translation, audio description, barrier-free venues, and free public admission to counter economic exclusion. While rooted in Lublin through annual festivals and community workshops, the foundation expanded its territorial scope to Warsaw in 2024 with public cultural tasks mapping trans histories and urban memory.

// 03

Simona Kasprowicz was a central organiser, curator, and producer within Camera Femina from 2019 to 2024, serving as Foundation President from 2022 to 2024. Her practice shaped the organisation’s artistic and political trajectory, building long-term production frameworks for interdisciplinary initiatives including Demakijaż, Queerz Get Loud, and Transposition.

// programmes6 RECORDS

programme records

01

Demakijaż — Women’s Art Festival

Annual Festival // Interdisciplinary Women’s Art
Flagship platform showcasing women filmmakers, expanding across 9 editions into theatre, literature, visual arts, and feminist performative formats.
2016–2024[ARCHIVED RECORD]
02

Queerz Get Loud

Interdisciplinary Festival // LGBTQIAP+ Safer Space
Safer-space festival and platform centering queer culture and grassroots community art; nominated for the national LGBT+ Diamond Awards in 2022.
2020–2024[ARCHIVED RECORD]
03

Transposition

Audio Documentary & Site-Specific Installation
Archival and contemporary research exhibition mapping trans and nonbinary collective memories in Warsaw, funded by the City of Warsaw as a public cultural task.
2024
04

Tra(n)sforming Warsaw

Historical City Walks // Accessible Urban Archive
Trans-historical urban walks mapping key sites of queer activism, culture, and everyday life in Warsaw, with Polish Sign Language (PJM) translation and audio guides.
2024[ARCHIVED RECORD]
05

Let’s Start the Revolution

International Short Film Competition
International competition spotlighting short cinematic works created by women directors and creators with feminine experiences.
2019–2024[ARCHIVED RECORD]
06

Przegięcie

Queer-Feminist Performance & Drag Cabaret
Autonomous performance format combining burlesque, drag, and radical bodily self-determination outside commercial entertainment conventions.
2021–2024[ARCHIVED RECORD]
// index8 ENTRIES

subject index

FEMINIST CULTURE01
QUEER & TRANS ART02
ACCESSIBILITY & PJM03
CURATORIAL PRACTICE04
GRASSROOTS ORGANISING05
PRODUCTION FRAMEWORKS06
FILM & PERFORMANCE07
ARCHIVE & RESEARCH08
// evidence4 PLATES

visual evidence / documents

Evidence document 1
DOC_01
Evidence document 2
DOC_02
Evidence document 3
DOC_03
Evidence document 4
DOC_04
// registerFORMAL ARCHIVE

administrative register

// ENTITY RECORDKRS // REGON
EntityCamera Femina Foundation
Legal FormIndependent Cultural Foundation
StatusARCHIVED // INACTIVE
BaseLublin, PL
Operational ReachLublin / Warsaw (2024)
Public Tasksincl. City of Lublin, City of Warsaw
// PRACTICE & ROLE RECORD2019–2024

Simona Kasprowicz

President2022–2024
Curatorial / production practice2019–2024

Developing institutional production frameworks, curating interdisciplinary programs, and directing accessibility strategies (Polish Sign Language translation, audio description, elimination of economic and architectural barriers).

SIMONA KASPROWICZ // ORGANISATIONAL PRACTICE ARCHIVE